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Exhibition: Arter Museum, Istanbul, Curated by Selen Ansen, 19 January – 29 December 2024

Commission: Grain x V&A Wedgwood Collection, on Display at The Royal Photographic Society, 2023 – 2024

Exhibition: Kristin Hjellegjerde, Palm Beach, March 2023

Exhibition: Fondation Francès, France, 7th Sept – 26th Jan 2023

Exhibition: Mirror Mirror, Kristin Hjellegjerde, London Bridge, curated by Soheila Sokhanvari, April 2024

Art Fair: Miart, Ncontemporary, 12 – 14 April, 2024

Solo Show: Ncontemporary Milan, Autumn 2024

Lecturer: University of the Arts, London

Represented by: Ncontemporary (Milan) and Kristin Hjellegjerde (London, Berlin, Nevlunghavn & Palm Beach)

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Showing work at Miart, with Ncontemporary Gallery,

Cover (folded photograph of my grandad), 2024 Wit

Exhibiting photographs at Kristin Hjellegjerde's n

New Photomonitor feature: https://photomonitor.co.

New show opens at Arter Museum in Istanbul today,

'Gag i' &' Gag ii' diptychs now on display at The $'Gag i' &' Gag ii' diptychs now on display at The Royal Photographic Society. About the work: Prints of stripes were gripped in my mouth before being re-photographed, mounted on to cut aluminium and presented within cut wooden frames. Been thinking of Wedgwood's stripey engine turned wares / fractured ceramics / the oral significance of Wedgwood Collection / Josiah Wedgwood's use of ceramics as an arena for voicing social change / queer experience of social pressure to hide oneself / the dazzle as defence mechanism / the neck, mouth and lips of a vase / the harlequin as a figire who critiques authority / gag as joke vs gag as stifled voice / order disorder / celebrating imperfections / mouth breaking a cage Commission with GRAIN x Wedgwood Collection$

New show 'I am not what you see of me' opening at

Works featured in Trebuchet Magazine, with Richard

New commission with Grain x V&A Wedgwood Collectio $New commission with Grain x V&A Wedgwood Collection, on display at V&A Wedgwood 7th June til 24th September. Prints of black and white stripes were gripped in my mouth before being re-photographed, mounted on to cut aluminium, and presented within cut wooden frames. The 2 diptychs are titled Gag 1 and Gag 2. Been thinking of Wedgwood's stripey engine turned wares / ceramic and bodily fractures / the oral significance of Wedgwood collection / Josiah Wedgwood's use of ceramics as an arena for voicing social change / queer experience of social pressure to hide oneself / the dazzle as defence mechanism / the neck, mouth and lips of a vase / the harlequin as a figure who critiques authority / gag as joke, gag as stifling the voice / order disorder / celebrating imperfections / mouth breaking a cage. Huge thanks to Grain and V&A Wedgwood Collection for making this possible$

Ncontemporary are showing a selection of works at

Final few days of 'Deconstructions' exhibition at

Huge thanks to the wonderful Paul Carey-Kent for h

Here's a new work, Photo-labyrinth 2 (holding a cu

New solo show Deconstructions is open at Kristin H

New solo show opening this Thursday at Kristin Hje

Showing new works as part of Untitled Miami, openi

New essay by the wonderful Emma Jones @emmakwow in

Absurd: New group show opening tonight at OHSH pro

Following a residency at the Glass Foundry in Stro $Following a residency at the Glass Foundry in Stroud, I'll be showing new works at the British Glass Biennale, open today til 29th August. Here's one of the works on show - a new mask made from lens glass. It forms a fractured two-part pyramid, with my dad's face inside. Huge thanks to Jade Pinnell and Fiaz Elson for their expert knowledge and guidance.$

UPRISING New group show among 38 fellow artists f

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