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'Gag i' &' Gag ii' diptychs now on display at The $'Gag i' &' Gag ii' diptychs now on display at The Royal Photographic Society. About the work: Prints of stripes were gripped in my mouth before being re-photographed, mounted on to cut aluminium and presented within cut wooden frames. Been thinking of Wedgwood's stripey engine turned wares / fractured ceramics / the oral significance of Wedgwood Collection / Josiah Wedgwood's use of ceramics as an arena for voicing social change / queer experience of social pressure to hide oneself / the dazzle as defence mechanism / the neck, mouth and lips of a vase / the harlequin as a figire who critiques authority / gag as joke vs gag as stifled voice / order disorder / celebrating imperfections / mouth breaking a cage Commission with GRAIN x Wedgwood Collection$

New show 'I am not what you see of me' opening at

Works featured in Trebuchet Magazine, with Richard

New commission with Grain x V&A Wedgwood Collectio $New commission with Grain x V&A Wedgwood Collection, on display at V&A Wedgwood 7th June til 24th September. Prints of black and white stripes were gripped in my mouth before being re-photographed, mounted on to cut aluminium, and presented within cut wooden frames. The 2 diptychs are titled Gag 1 and Gag 2. Been thinking of Wedgwood's stripey engine turned wares / ceramic and bodily fractures / the oral significance of Wedgwood collection / Josiah Wedgwood's use of ceramics as an arena for voicing social change / queer experience of social pressure to hide oneself / the dazzle as defence mechanism / the neck, mouth and lips of a vase / the harlequin as a figure who critiques authority / gag as joke, gag as stifling the voice / order disorder / celebrating imperfections / mouth breaking a cage. Huge thanks to Grain and V&A Wedgwood Collection for making this possible$

Ncontemporary are showing a selection of works at

Final few days of 'Deconstructions' exhibition at

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