Upcoming

Solo Show: Fitting In: Kristin Hjellegjerde Wandsworth Town, London, 10th June 2025

Group Show: Fair May (presented by Hi-Noon editions), Paul Smith, 9 Albemarle Street, London, Opening 1st May til 15th June

Lecturer: University of the Arts, London

Represented by: Ncontemporary (Milan & Venice) and Kristin Hjellegjerde (London, Berlin, Nevlunghavn & Palm Beach)

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New work: Imposter (my ear resting on a print of m

Showing 11 works at Paris Photo this week, with @n

New solo show: Dissections Open at Ncontemporary,

TASTE Opening today: OHSH Projects x Wonzimer, am

Showing a few works with OHSH Projects in LIQUIFY,

Identically smashed mirrors, on show in Mirror Mir

Showing work at Miart, with Ncontemporary Gallery,

Cover (folded photograph of my grandad), 2024 Wit

Exhibiting photographs at Kristin Hjellegjerde's n

New Photomonitor feature: https://photomonitor.co.

New show opens at Arter Museum in Istanbul today,

'Gag i' &' Gag ii' diptychs now on display at The $'Gag i' &' Gag ii' diptychs now on display at The Royal Photographic Society. About the work: Prints of stripes were gripped in my mouth before being re-photographed, mounted on to cut aluminium and presented within cut wooden frames. Been thinking of Wedgwood's stripey engine turned wares / fractured ceramics / the oral significance of Wedgwood Collection / Josiah Wedgwood's use of ceramics as an arena for voicing social change / queer experience of social pressure to hide oneself / the dazzle as defence mechanism / the neck, mouth and lips of a vase / the harlequin as a figire who critiques authority / gag as joke vs gag as stifled voice / order disorder / celebrating imperfections / mouth breaking a cage Commission with GRAIN x Wedgwood Collection$

New show 'I am not what you see of me' opening at

Works featured in Trebuchet Magazine, with Richard

New commission with Grain x V&A Wedgwood Collectio $New commission with Grain x V&A Wedgwood Collection, on display at V&A Wedgwood 7th June til 24th September. Prints of black and white stripes were gripped in my mouth before being re-photographed, mounted on to cut aluminium, and presented within cut wooden frames. The 2 diptychs are titled Gag 1 and Gag 2. Been thinking of Wedgwood's stripey engine turned wares / ceramic and bodily fractures / the oral significance of Wedgwood collection / Josiah Wedgwood's use of ceramics as an arena for voicing social change / queer experience of social pressure to hide oneself / the dazzle as defence mechanism / the neck, mouth and lips of a vase / the harlequin as a figure who critiques authority / gag as joke, gag as stifling the voice / order disorder / celebrating imperfections / mouth breaking a cage. Huge thanks to Grain and V&A Wedgwood Collection for making this possible$

Ncontemporary are showing a selection of works at

Final few days of 'Deconstructions' exhibition at

Huge thanks to the wonderful Paul Carey-Kent for h

Here's a new work, Photo-labyrinth 2 (holding a cu

New solo show Deconstructions is open at Kristin H

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